reviewS - interviewS - broadcastS - soundclouD - SOCIAL MEDIA

Lotte Betts-Dean’s performance was powerful and lyrical, exhibiting a masterly control of both vocal range and colour. Shifting timbre from ghostly thin incanting to the wild throes of a full-bodied dramatic mezzo, Betts-Dean’s devoted performance captured all the ecstasy and drama of Messiaen’s poetry with a mature artistry.
— Andrew Aronowicz on Messiaen's Harawi, Limelight Magazine
Betts-Dean gave a mesmerising performance...
we were engrossed in not just what she was opining, but her movements and her facial contortions. At times she looked as though she was about to leap into the audience, so manic did she appear.
— Peter Goodbody on Pierrot Lunaire with Manchester Collective, Getintothis UK
Her tone was at once pure and thick with power; with expressive gestures flowing from her arms and face, she appeared to place herself entirely and unconditionally into the music.
— Stephanie Eslake, on Bach at Dark Mofo Festival, Limelight Magazine
Betts-Dean has an excellent voice; she can control her notes beautifully and she sings with joy, warmth, and an open heart.
— Therese Saba, on Feb 2019 Wigmore Hall Recital, Classical Guitar Magazine
Lotte Betts-Dean’s narration (in perfect French) delivered drama in spades.
— Maxim Boon, on Stravinsky's Persephone with MSO, The Age, July 19

INSTAGRAM FEED


TWITTER FEED